The cover photograph by David Gahr is as intimate and sensual as a French Impressionist painting, capturing the mood of the New Orleans blues period of Champion Jack Dupree. Elizabeth Cotten wrote the classic song "Freight Train" when she was a child. Riepe Garste — A group of peasants from Gorssel Gelderland. This image stands in stark contrast to that of the slick "singing cowboy" of early television Westerns. The bottom photograph shows a crowd, likely attending an outdoor folk festival, intent on the performance despite the rain. The musical piece de resistance on the album is a rare bilingual folk song, entitled "I Went to the Market," which gives equal time to both official languages. 
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Bad women and good women.
Songs of the Open Road Catalogue: The Village Fugs Catalogue: Swingin' Piano Catalogue: Many other covers make use of photographs taken by non-professional, often unnamed, photographers — field ethnographers, family members, or others close to the musicians in the pictures.
Mississippi Delta Bluesman Catalogue: The photograph of men in cowboy hats, sitting around a campfire playing musical instruments, captures both the spareness and the camaraderie of life on the range. In the s, musician and traditional music scholar, Mike Seeger, sought out Boggs and introduced him to appreciative urban audiences, leading to this and other fueto.
Been in the Storm so Long Catalogue: They were musicians, poets, actors, activists, and avant-garde fixtures of the 60s urban scene, especially in New York. The musical piece de resistance on the album is a rare bilingual folk song, entitled "I Went to the Market," which gives equal time to both official languages. An unabashed reconstruction of a piece of American life that disappeared between the wars, this recording presents the boyhood experiences of Israel Caplan: Music of Guatemala Catalogue: The cover photograph of the group's lead singers, Lawrence McKiver and Doretha Skipper, was taken in Songs from Cape Breton Island Catalogue: Jazz Violins of the Forties Catalogue: Memphis Slim and Willie Dixon Catalogue: Folk Music of France Catalogue: The photographers whose works are represented on the covers reflect the diversity of the Folkways collection as a whole.
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Slow songs and sad lines" liner notes. Mississippi's Big Joe Williams Catalogue: Flerlage began his career documenting colinsa greats of jazz and blues when Moe Asch asked him to take photographs of Memphis Slim for a Folkways cover.
The ballads recount tales of tragic accidents and sudden death. The cover photograph by David Gahr is as intimate and sensual as a French Impressionist painting, capturing the mood of the New Orleans blues period of Champion Jack Dupree.
People and Places | The Look of the Listen | Smithsonian Folkways
iosf The photograph on the cover provides a glimpse into the all male society of the lumber camp. Millions of Musicians Catalogue: Songs of French-Canada Catalogue: Just as Folkways Records gave a voice to ordinary people, the covers functioned to make visible the invisible and to represent the underrepresented.
Allegro — Paul Zukofsky and Gilbert Kalish. The lumbering songs on this album, collected in by renowned Canadian folklorist Edith Fowke, represent over a colinfa of songs sung in lumber camps and shanties in Canada and the United States. The bottom photograph shows a crowd, likely attending an outdoor folk festival, intent on the performance despite the rain.
This photograph by Walker Evans is one among many by this important photographer to be featured on Folkways covers. Get on Board Catalogue: Traditional Folk Songs of Japan Catalogue: Lumbering Songs from the Ontario Shanties Catalogue:
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